#HerBus: “Fais-moi découvrir Beyrouth!”―Garine’s Story

Today’s #HerBus story is a special one! We first met Garine when she took part in our Bus Map Photo Action last summer and captured way more photos than our modest CFP required. We chatted and picked her brain about cities and culture and identity, and before we knew it, she left to pursue her graduate studies abroad, where she developed her “Al Bosta” design project — a branding concept that brings to life a vision that we at Bus Map Project have been calling ‘joud bel mawjoud’, or excel through what exists. We’ve enjoyed following Garine’s work over the past months, and are happy that she took the time to share her thoughts and reflections on this bus adventure.

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How to take the bus in Beirut? from Garine Gokceyan on Vimeo.


J’utilise souvent les transports publics, que ce soit les bus ou les services. Pourquoi je les utilise? Parce qu’ils t’emmènent partout où tu veux, tu n’as qu’à t’asseoir et profiter du moment. Ah oui, j’ai oublié! C’est aussi parce qu’ils sont presque gratuits!

I often use public transport, whether it’s buses or shared taxis. Why do I use them? Because they take you wherever you want; you just have to sit down and enjoy the moment. Oh yes, I forgot! It’s also because they cost almost nothing!


"The Bank" by Garine Gokceyan
“The Bank” by Garine Gokceyan


Souvent je prenais le bus pour aller d’un point A à un point B, mais pour les jours de Bus Map Photo Action, c’était comme si je disais au chauffeur “amène moi quelque part, n’importe où! Fais-moi découvrir Beyrouth!” — je n’avais pas de destination exacte.

I’ve often taken the bus to go from point A to point B, but during the Bus Map Photo Action, it was as if I were telling the driver “take me somewhere, anywhere! Let me discover Beirut!” — I did not have an exact destination.


"Optical Illusion" by Garine Gokceyan
“Optical Illusion” by Garine Gokceyan


D’ailleurs ce n’est pas une légende quand on dit que les libanais sont des gens chaleureux, curieux et qui adorent être pris en photo. C’était vraiment marrant comme expérience!

Moreover, it’s not a myth when we say that the Lebanese are warm and curious, and love to be photographed. It really was a funny experience!


"The Romantic" by Garine Gokceyan
“The Romantic” by Garine Gokceyan


À force de prendre plusieurs bus dans une même journée, j’avais remarqué que chaque conducteur avait son univers personnel. Chaque bus avait sa propre décoration, sa propre musique, son propre esprit, ses propres peluches… On sentait la touche originale de l’artiste-conducteur qui nous invitait à voir Beyrouth dans un cadre particulier.

En fait, tu rentres dans le bus et tu en sors avec pleins d’histoires à raconter!

Since I was taking several buses in one day, I noticed that each driver had his own personal universe. Each bus had its own decoration, its own music, its own spirit, its own stuffed animals… One could feel the original touch of the artist-driver who invited us to see Beirut in a particular setting.

In fact, when you get on the bus, you get out with plenty of stories to tell!


"Fetish" by Garine Gokceyan
“Fetish” by Garine Gokceyan


J’imagine ce jour où la circulation serait figée à Beyrouth, pleins de voitures dans les rues l’une derrière l’autre, toutes bloquées. Et le seul moyen qu’ils auront, pour enfin avancer, serait de faire bouger les voitures une par une depuis Saida.

I imagine the day when all circulation in Beirut is frozen, the streets full of cars, one after the other, everything blocked. And the only way that they can move forward, would be to budge the cars one by one from Saida.


"Al Bosta" designed by Garine Gokceyan

En quelques mots, je voudrais avoir le choix de mes transports à Beyrouth et non pas être imposé à choisir le transport en voiture.

In short, I would like the choice of how I get to Beirut, and not be forced to choose the car.

"Al Bosta" designed by Garine G.


J’espère que les gens verrons dans mon projet l’idée de l’initiative.
Une initiative individuelle pourrait peut-être inciter une collectivité à agir, à penser à améliorer leur condition de vie.

Ne pas attendre le gouvernement à se bouger, mais faire nous même bouger le système, bouger la circulation.

Et un jour, on pourrait même se dire: fini les “zammour”, fini l’embouteillage, fini la pollution… un jour.

I hope that people will see the idea of the initiative in my project. An individual initiative could perhaps encourage a collective to act, to think about improving their living conditions.

Do not wait for the government to move, but rather, let us move the system ourselves, making traffic move.

And one day, we could even say: no more “zammour” [car horn], no more traffic jams, no more pollution… one day.


"Red is ready" by Garine Gokceyan
“Red is ready” by Garine Gokceyan


Un bus est un grand véhicule de transport en commun, ce n’est ni un monstre vert qui dévore les gens, ni un bateau mystérieux qui passe par le Triangle des Bermudes. C’est vrai que parfois ça peut ressembler à une boîte à sardine et j’avoue ça peut être gênant mais dans tous les cas on a la possibilité de réagir et mettre fin à tout circonstances inconfortables en demandant à la prochaine de s’éloigner.

Pour résumer, Il faut arrêter de croire à ces histoires d’horreur qu’on nous raconte sur les bus et les van. Il faut juste essayer! C’est jamais trop tard de prendre un bus, il y en a un qui passe tout les 6 minutes.

A bus is a large vehicle for shared transport, it is neither a green monster that devours people, nor a mysterious boat that passes through the Bermuda Triangle. It’s true that sometimes it can look like a can of sardines, and I confess that this can be annoying, but in any case, one has the ability to respond and stop any uncomfortable situations by asking the person next to them to move.

In sum, we must stop believing in these horror stories that we are told about the buses and the van. You just have to try! It’s never too late to catch a bus, there’s one that runs every 6 minutes.


"Al Bosta" by Garine Gokceyan

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All photos and graphics by Garine Gokceyan. Text translated into English by BMP.

#HerBus: الفوضى والفلتان—Lynn’s Story

Today’s #HerBus story is troubling and bleak, and some of the conclusions it draws are controversial. While it is not a first-hand account, we thank Lynn for sharing her thoughts and reflections on the experiences of Lebanese women on public transport, because the fear of violence and exploitation that she expresses is real and pervasive. Scroll down to read our translation of Lynn’s story.

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لطالما كنّا ندرك سابقاً ان الامن اللبناني غائب عن الساحة المحليّة، وقد تسبب هذا الغياب بتفشّي ظاهرة خطف المواطنين من امام مسكنهم او حتى خطف القاصرات من خارج المدارس في بعض المناطق كما بات معلوماً في الآونة الاخيرة

هنا سأسرد واقعة حصلت مع رفيقتي حيث أخبرتني اذ انّها كانت في أحد الأيام بإنتظار باص ليقلّها من جسر الكولا الى جونية حيث اعترضها شابان وبدءا يتحرشا بها لفظيّاً ويٌسمعاها كلام بذيئاً. وعندما تحاول كل فتاة الوقوف بقرب رجل الأمن يلحق بها من كان يضايقها غيرآبهين لوجوده. ويصل الباص وهنا الخطورة الكبيرة حيث تكون هذه الشابة الانثى الوحيدة في خضمّ مجموعة ذكور ينهالون عليها بالنظرات وكأنها حوريّة في بحرالعسل فتعيش الشابة حينئذٍ ليس فقط خوف داخلي انّما رعب شديد من هؤلاء. وما تلبث رحلة الوصول الى المنزل بالانقضاء يحاصرالفتاة رجلين او ثلاث ويحاولون الاعتداء عليها لفظيّاً علماً ان السائق لا يفتح فاهه لربما اعتاد على هذا النمط من الالتماس او انّه يفضّل تجنّب التورّط معهم

يتحوّل الباص من الساعة الواحدة ظهراً حتّى التاسعة مساءً الى شريعة غاب تسود قوّة الرجال داخل حافلات النقل العام وما من رقيب ولاحسيب. تعيش الفتاة اللبنانية اثناء تنقّلها ذعراً لا مثيل له، مما ينعكس سلباً على حياتها النفسيّة اولاً وتفقد ثقتها وعزّة نفسها ثانيةً ومهما كانت هذه الفتاة جبّارة ستصل الى مرحلة تشعر فيها بالانحطاطٍ والتعاسة، علماً ان بعض الشابات اليافعات تقعن ضحيّة هذا التحرّش ليؤدّي بعدها في بعض الحالات الى استغلال جسدي وجنسي ولا ندري اين يودي بها لأمر معها في النهاية الى حالات إكتئآب، امراض نفسيّة او حتّى الإنتحار في بعض الحالات

وهنا، لا يسعنا سوى ان ندق ناقوس الخطر في هذا المجال لجهّة ما يتسببه هذا الفلتان الامني واللا اخلاقي في وسائل النقل العامّة بحيث اصبحنا نرى انّ المواطن اللبناني يشكّل ما نسبته 15% من مستخدمي قطاع النقل هذا امام 85 % من الاجانب. فالانسان الطائش العديم مسؤليّة يرتكب الفوضى فتقع الشابات اليافعات ضحيّة الاستغلال. كثرت في السنوات الاخيرة قوانين لحماية المرأة من كافّة العنف الّا ان هذه القوانين ليست سوى حبر على ورق، ويجدر الذكر ان الذين يسيؤون للمرأة ويتعدون عليها لفظياً يحسبون انّ القوانين لا تطالهم ولا علاقة لهم بالقوانين المطروحة

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We have long known that security is missing from the scene in Lebanon, a situation which has led to a string of kidnappings, with citizens and even young girls taken from in front of their homes and schools in some areas of Lebanon, as we have heard stories about recently.

I will relay a story that happened to my friend, who told me how she had once been waiting for a bus from under Cola Bridge in the direction of Jounieh. While waiting for the bus, two young men began to verbally harass her, and say rude and inappropriate things to her. And when the young woman tried to stand closer to a police officer, her harassers continued to bother her, as though the officer was not there. When the bus arrives, the real danger begins, as this young lady is the only woman in a crowd of men, assailing her with their eyes, as though she is a mermaid [or angelic being, hooriya] in a “sea of honey”; this makes her very afraid, on a very deep level, as she begins to feel terror among these men. And as her journey home was coming to an end, two or three men began to assault her verbally, while the bus driver did not open his mouth, perhaps because he was used to this kind of behavior, or because he preferred to avoid getting into trouble with them.

From 1 to 9 pm, the bus is ruled by the law of the jungle, where the power of men prevails inside public transport vehicles with neither censure nor accountability. The young, Lebanese woman experiences a kind of fear without parallel as she commutes; this, firstly impacts her mental health negatively, and, secondly, leads her to lose her confidence and sense of self-dignity. No matter how resilient she is, there will come a time when she feels miserable and depressed. In some cases, some young girls fall victims of the kind of harassment that leads to physical and sexual assault, which could lead to serious emotional and psychological problems, and maybe even suicide in some cases.

We have to sound the alarm on this lack of security and morals on public transport, a situation that has led the Lebanese citizen to make up only 15% of the riding public, while the other 85% is made up of foreigners. Irresponsible people create chaos, which pushes young girls and women to fall into exploitation. Laws protecting women from all forms of violence have increased in recent years, except that these laws are nothing but ink on paper, and it is important to note that those who mistreat and verbally harass women believe that they are above the law.

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This post is part of an ongoing series highlighting the unique and complex experiences of women who use public transport in Lebanon. Photo by Rachel Burnham, taken as part of last summer’s Bus Map Photo Action. Rachel writes: “What endears me to riding the bus as a timid foreigner was the way that I was always graciously offered a seat, no matter how busy the bus or van.”

#HerBus: ‘Who is Who on the Bus?’—Lucia’s Story

Today’s #HerBus post is a photo-essay by Lucia Czernin, a writer and photographer who took part in our Bus Map Photo Action last summer. We are very happy to publish this beautiful account of her thoughts and experiences exploring our first edition bus map and getting to know some of the stories — just 14 glimpses — behind that intricate human tapestry that is the riding public.

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‘Who is Who on the Bus?’

by Lucia Czernin

Who are the people in the anonymous crowd of commuters? What are the stories behind them? I sometimes wonder why we are not constantly amazed to see new faces, given the fact that every face is unique in its way and represents a unique person and story. It might be a natural mechanism in order to protect us from the exhausting idea of endless new information. I guess humans need this security: familiarities, being surrounded by things and people they know, at least from time to time. In order to not lose control, we tend to divide the world into two broad categories: people we know and people we don’t know. But then, the process of a stranger changing categories, turning into someone we know, can consist of only a look, a smile, an insult or a simple gesture. This happens by chance or it can be deliberately provoked. But the idea of taking the initiative might frighten most of us, and I know it totally went against my own inclinations. And yet, as they say, “who dares, wins”.

Once on board, wavering down the “autostrade”, surrounded by honking, shouting and Arabic music, I thought I actually had a very important book to read and I might not really want to get to know these people. But then, I pulled myself together and dared to stumble over some awkward question in broken Arabic to the person in the seat in front of me. Suddenly, it seemed the music would stop, and people would interrupt their shouting and honking to fix their eyes on me, asking: “What is your problem?” Humans are an amusing species: on one hand we can only survive in community, while on the other hand, we love to lead a bubbled-up life. This tendency might be particularly strong in cities and is also referred to as “civil inattention”. Especially in cities that hold twice as many cars as persons, it seems that even on the bus, people like to pretend that they are on their own. Best strategy? Catch their attention.

Usually it is not very comfortable to look like a foreigner, but in these journeys that I documented, it helped to attract the curiosity of my fellow passengers. In some instances, I was lucky to meet new friends without having to take the first step, and could very naturally engage in conversation and photograph them. On two occasions I managed to bring an accomplice along, as my moral support; a partner in crime makes you feel bulletproof! So eventually I found myself bouncing across the bus talking to strangers. And every face I captured with my camera represents a precious add-on to my personal universe:


Lucia Czernin

Please say hello to Omar and Shanti. They have just gotten married, and they are perfectly happy using the bus on their honeymoon. You would think, they couldn’t be better off on a luxury cruise!


Lucia Czernin (Hamra)

As she enters the bus, the sweet elderly lady with the “Alice” band and the matching polka-dotted cotton dress radiates an air of confidence. She is one of those people that remind you of the caring granny from your childhood. As soon as she is seated, she produces her rosary booklet out of her handbag. Although she is fully focused on her pious activity, she doesn’t mind being interrupted. On the contrary! She is delighted to explain the different parts and prayers of the rosary, indicating pages and pictures. The rosary lady of Hamra seems to be in high spirits as she goes on to explain the Novena to Saint Rita (a nun from Italy of high popularity in Lebanon). She is about to offer me her dear devotional manuals, as if it were a precious gem. Her recommendations include novenas, a prayer repeated during nine days for a special intention. In her case, it is always about health issues: spiritual and physical ones – for family members and neighbours. The photo I take is the only thing that makes her uneasy. She feels embarrassed because she hasn’t arranged herself properly this morning. But then she takes a photo of me in return, as a souvenir. And I am assured that she would always send me a prayer whenever she finds me in her photo gallery, squeezed next to Saint Charbel and company.


Lucia Czernin (Hamra)

These two ladies have been following my conversation with the woman with the rosary, and have eagerly encouraged her to pose for my camera. Rima, the woman by the window, has been living in Lebanon for 31 years, getting married and raising her children here. We find her on her last day in Lebanon, however. Tomorrow, she will leave to her home country, Mauritius, for good. “I doubt very strongly that I will ever get the chance to come back,” she tells me. She seems to be serene about that. “What do I like about Lebanon? I love this country, especially the generosity of its people,” she says. The woman next to her, also from Mauritius, is a close friend who has been in the country for 25 years, and seems quite well established. What would be their message to the world, if they had the chance to be heard by everyone, standing on a balcony? Rima: “I will go home.”


Lucia Czernin (Hamra)

Ahmad could have done better if he had known about the photo session on the bus. But he bears it with dignity. He came to Lebanon from Raqqa, in Syria, two years ago. Back there, he owned a Falafel place. He stuck to his domain, and is now working at Abou André. Ahmad’s family members are all in Damascus. He goes there twice a year to support them. His message to the world: “that everyone may be alright, and all may be well.”


Lucia Czernin (Hamra)

This bright fella is on his way home from school. He lives in Basta and is in the 10th grade. School is alright, he tells me, and he particularly likes chemistry. Later he would like to become a nurse, because his cousin is a nurse and tells him that it’s a fine job. But he could also study to be a computer scientist. His message to the world: “World peace?”


Lucia Czernin (Hamra)

This is a father of four from Sudan. He works in Achrafieh and his family lives in Dora. His children are aged 5, 3, 2 and 1, and they all go to school in Achrafieh. His job is not what he had dreamed of, but at least he can work.


Lucia Czernin (Broumana)

Aida is going up to a village above Broumana, to her sister’s house, as she does every Sunday. Her sister needs this support since she would be lonely otherwise. Aida’s husband joins her, every time. He has been a sacristan in a church for 20 years. Aida works at the Ministry of Foreign Affairs. The Ministry once sent her to South Africa, three years ago, on an accounting mission. She still remembers the many aunties in the kitchen there. She is 60 years old now, and doesn’t have any children. “I have cried a thousand tears because of that. But now I am old anyway,” she confides. Everything happens for a reason. Aida is the most confidant of all her work colleagues, and of her neighbours, and of her brothers and sisters, she tells me. She takes the bus every morning from Dora to Gemmayzeh. She even knows most of the other commuters who come from Tripoli, and worries about them when she doesn’t find some of them on the bus. They always greet each other. When asked about her message if she were standing on a balcony and had the chance to speak to the whole world, she first wants to know on which floor the balcony would be! “What would I say? Bonjour! Please come in!” She then adds that she would wish the world a blessed day, in case this was happening on a feast day. “Yesterday, for example, was the feast of Saint Thekla.”


Lucia Czernin (Faraya)

As I enter the bus in Dora, I seem to be crashing a private family scene. The driver is taking his wife and son out on a Sunday trip to Jbeil. All three of them are enjoying themselves, giggling and talking loudly. The driver’s son, Ryan, is proud to be helping out his father by collecting the transport fees from passengers, as they get off at their destinations. He turns out to be quite firm, to the extent that his father has to calm him down when two ladies get away with paying only 1000 LBP each, instead of the customary 1500 LBP. I am not surprised that Ryan wants to be a soldier when he grows up. He will definitely do his job dutifully.


Lucia Czernin (Jounieh)

“My name is Felicidad. Like in the Spanish Christmas song: Feliz navidad, feliz navidad…” she sings to me. Felicidad is married to a Lebanese man. Her husband is 92 years old, she herself 45. She has children and grand-children in the Philippines. She’s never met her grand-children. She used to work as a cosmetician, but now there is no time for that, since she is taking care of her husband. A good man, she tells me. She brought along her friend Mary, who has just arrived from the Philippines. Mary needs help getting around and building up her social network.


Lucia Czernin (Antelias)

Michelle feels great. She is on her way to work in Antelias. “If I was the owner of this bus, the first thing I would do is change the seats. And then I would remove the Smurf from the windscreen.” When asked about Lebanon, she assures that there are many positive sides to the place. To state just a few: its smallness – you will always find someone you know ore are related to. You will never be completely lost; the weather – so much sun and still you have four seasons!; the food… “Badkon chocolat?” is her message to the world.


Lucia Czernin (Jounieh)

Dunia is a refugee from Iraq. She came to Lebanon one month ago, together with her husband, her two children and her parents. She is now expecting her third baby. What she likes about Lebanon: they are safe here. They live in Jounieh and they haven’t made a lot of friends yet. There is hardly any interaction among neighbours here, she says. Her message to the world: “kounou bi aman w salam.”


Lucia Czernin (Safra)

Khaled is from Akkar. To him, Lebanon’s flora is a big plus, but his family always comes first. Khaled has always striven to work in the lighting sector. But after school, he started at Hawa Chicken and is now a security guard at the Canadian Embassy and at the German School in Jounieh. Through this job he has become a good observer, he tells me. But whenever he can, he gets away to Akkar. By bus, of course.


Lucia Czernin (Jbeil)

Let me introduce you to the “mas2oul” of the Crusader fortress in Byblos. This excellent man has been a loyal bus commuter from Jounieh to Byblos for 50 years. He always brings his lunch box in a small hand bag. He loves his job, since it allows him to meet people from all over the world, though he can hardly communicate with most of them, not being a fan of foreign languages. But he knows every historic detail relating to the fortress! Just ask.


Lucia Czernin (Antelias)

This is Ahlam on her way to Zalka. She works in a spa. Her favourite part of Lebanon is her family. The only thing she really can’t stand are the slow bus drivers. She tries to avoid them. Her phrase to the world: “respect one another.”

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Lucia’s story is part of an ongoing series highlighting the unique and complex experiences of women who use public transport in Lebanon. Do you have a story you want to share? We will post it with as much, or as little, editorial input as you request, to make sure that your voice is in the forefront. You can write in English, Arabic or French, and when appropriate, we will share a translation that sticks as closely as possible to the spirit of your story. Share an experience, keep it personal, make it academic, be creative — your city needs your voice!

Interview: BMP in Agenda Culturel

Merci, Agenda Culturel!

‘Le but c’est d’expérimenter, de pousser les photographes à s’intéresser à la question des bus tout en passant un bon moment .. Nous espérons vraiment que leurs remarques et observations sur les trajets, ce qu’ils auront remarqué en prenant le bus, nous aidera à développer notre cartographie et nos idées’.

And it’s happening tomorrow! To confirm your spot as a photographer in the Bus Map Photo Action, please don’t forget to register at http://frame.life/Events!

Interview: BMP in L’Orient-Le Jour

“Au croisement Cola, le long de la corniche, à toute heure du jour et de la nuit, les bus à Beyrouth sont partout, charriant des effluves de goudron et de… jasmin le long de leurs routes aléatoires. Pourtant, une partie de la population semble fermer les yeux sur leur existence. Avec leurs plaques vermeilles pour la plupart fièrement illégales, leurs colliers de gardénias accrochés au rétroviseur, qui oscillent au gré des pirouettes des conducteurs, et leur application folklorique du code de la route. Au-delà du joyeux capharnaüm de leur organisation pour le moins pittoresque, des Beyrouthins ont décidé d’ouvrir les yeux sur la richesse cachée des transports publics de la ville : c’est la devise du collectif « Bus Map Project ».”

A big « merci beaucoup » to L’Orient-Le Jour for this gorgeous article!

Interview: BMP in The Daily Star

The system is remarkably self-sustainable, even though it is almost entirely unregulated.

We loved sharing our bottom-up, incremental vision of infrastructural activism with The Daily Star!

What do you think? Are we “hiding behind our fingers” as one commenter claims?